The Watching Counsel addresses the notion of (un)habitability in relation to ecological, political instabilities and the fragmented realities of the present. It generates new forms of care, participation and collective agency. Conceived and spatially designed by artist and architect Ola Hassanain, the project foregrounds the intensifying interconnectedness of global events that increasingly destabilize and fragilize life at its deepest levels, calling for renewed awareness of the interdependence between places, bodies, species, politics, and climate.

Saturday, June 13, from 1 pm to 6 pm in the Rudolfinum Ceremony Hall (Dvorana Rudolfina). Admission is free.

Conception: Ola Hassanain
Participating artists: Pelumi Adejumo, Simnikiwe Buhlungu, Critical Tech Group, Tamara Kametani, Magdi Masaraa & JJJJJerome Ellis, Vojtěch Radakulan, Marie Tučková
Curator: simona markel dvorák

I’m pleased to be showing my new work- Greetings from Null Island, in a group exhibition DATAS: The Data and the Sovereign at Galerie Rudolfinum, Prague, curated by Lívia Nolasco-Rózsás.

Galerie Rudolfinum
11.6.– 30.8. 2026

Who controls our data, personal sovereignty, and political freedom? Answers are offered by DATAS: The Data and the Sovereign, an exhibition in which Czech and international artists explore in their works how computing technologies, automation, and digital infrastructures undermine personal and state sovereignty.

This group exhibition confronts one of the defining struggles of the coming decades that is profoundly shaping human agency: the battle for sovereignty in an age when data and computation increasingly exceed legal and political control. As algorithmic systems influence public discourse, automate and manipulate decision-making, and shape the conduct of war, the foundations of democracy are being rewritten in code. Bringing together voices in art, philosophy, and technology the exhibition examines how personal and national self-determination might persist amid the forces of surveillance capitalism and authoritarianism.

Exhibining artists: aaajiao, Tekla Aslanishvili, Anca Benera and Arnold Estefán, Mark Cinkevich, Critical Tech Group (Nazar Golianych and Nastia Kolodka), Nina Davies, Nolan Oswald Dennis, Anna Engelhardt, eeefff, fantastic little splash (Lera Malchenko and Oleksandr Hants), Dorota Gawęda and Eglė Kulbokaitė, Flaka Haliti, Tamara Kametani, Áron Lődi, Artur Magrot, Martyna Marciniak, Leon Sahiti, Rudolf Samohejl, Sfera (Sylvia Rybak, Marco Winter and Ula Sowa Przybylska), Jonas Staal, Jelena Visković

DATAS: Test Run
Ravnikar Gallery
Vošnjakova ulica 4, Ljubljana


05/02/2026- 27/02/2026

In her work Greetings from Null Island Tamara Kametani focuses on the phenomenon of Null Island, a point in the Atlantic Ocean at coordinates 0°, 0°, where the prime meridian meets the equator. Despite having no physical landmass, Null Island has become a repository for misdirected geolocation data, errors, and digital glitches. During the residency in Ljubljana the artist explored this phenomenon as a potential site for data obfuscation and reclaiming digital agency by developing an application that allows users to digitally relocate their GPS coordinates to Null Island. By intentionally spoofing location data to this already saturated digital non-place, users contribute to a collective data camouflage, rendering their information indistinguishable and useless for commercial or surveillance-based exploitation. The work questions our growing dependence on digital services, the inevitability of data collection, and the possibilities for preserving privacy and civil liberties within increasingly monitored environments.

I am thrilled to be participating in Data and the Sovereign project, starting with a residency at Projekt Atol in Ljubljana this fall.

I will be participating at Art Athina with a solo presentation with MISC Athens

Art Athina
Zappeion Megaron
18-22 Septe,ber, 2025

I am thrilled to be spending July and August in residence at the International Studio and Curatorial Program (ISCP) in New York.

ALL UTOPIAS FAIL, a solo show by Tamara Kametani

OPENING
29 MAY, 19:00-22:00
Exhibition runs through July 30


From digital ghosts to missile trails, Tamara Kametani maps the broken promises of techno-utopia. Centered on the fictional space of Null Island, her work brings together found footage, AI avatars, and discarded smartphones to question surveillance, collapse, and the myth of escape.

A haunting look at where data hides, and where dreams go to glitch.

Curated by Sylvia Sachini
Supported using public funding by Slovak Arts Council.

Housewarming

February 1st, 2025
11:00-18:00

Mithimnis 35
Kypseli, 11237
Athens

1-Day pop-up exhibition curated by Natalia Papadopoulou and Nikolas Ventourakis

I’ll be showing some new work at a group show in Galeria Tabačka, Košice, Slovakia

leap beyond our tribal past
20.3.2024- 15.4.2023

Opening 20.3. 19:00

My work The End in Three Parts, Part One will be shown at Pofoda Festival in Trenčín, Slovakia

July 12, 00:00
Pohoda Festival, Visual Stage
Martinus Stage

https://www.pohodafestival.sk/

My solo show SHRINE/ SVÄTYŇA opens at Nitrianska Galéria on Dec 1st

The exhibitited work has been supported by a bursary using public funding by the Slovak Arts Council

Opening preview: Dec 1st, 18:00
Exhibition open thorugh: Jan 29th

Galéroa Mladých
Nitrianska Galéria
Župné námestie 3
949 01, Nitra

My work Privacy During Pandemic is on view at WIP Arts & Technology festival at CYENS, Nicosia, Cyprus


CYENS M1, M2
Plateia Dimarchias 23, Nicosia 1016, Cyprus
Opening: Nov 11, 16:30-22:00
Exhibition: 12.11-23.11, 11:00-19:00

wip.cyens.org.cy/

24 Hours at Aegean is included at the main exhibition at Athens Photo Festival.

Benaki Museum
Pireos 138
Athens, Greece

June 8- July 24

“24 Hours at Aegean” depicts a small area in the Aegean Sea, between the coast of Turkey and the Greek islands. Recorded from Google Earth shortly after the introduction of the EU-Turkey deal, deciding the fate of any asylum seeker entering Greece illegally, the footage of the sea shows nothing more than sunrise and sunset. Screenshotted each hour over the course of a single day, the images depict a day when seemingly nothing happened

Walls 2.0 is past of It’s So Easy, a gihfibition by Off Site Project curated by Rebecca Edwards on the occasion of STEM Day

To view participating artists' STEM statements and project URLs, right-click and save Gif, open: http://exif.regex.info/exif.cgi and upload the gif file

Interview in Slovak with Ema Hesterová about my work, thoughts and new work for an upcoming show with Oskár Čepan

Screen Shot 2021-06-07 at 6.32.33 PM.png

My work Walls 2.0: Augmenting border reality is included in the latest book by isthisit? Network Futures: Online Exhibitions and Digital Hierarchies.

Front/Back cover: Keiken + George Jasper Stone, Feel My Metaverse, 2019 (still). CGI HD film (colour, sound), 36 min 23 sec.
Edited and designed by Bob Bicknell-Knight.
Generously supported by Arts Council England.

isthisitisthisit.com/networked-futures